The numbers do not change when transposing the composition into another key. The key may be specified at the top of the written chord chart, or given orally by the bandleader, record producer or lead singer. In the key of C, the numbers would correspond as follows:Ĭ=1, D=2, E=3, F=4, G=5, A=6, B=7. It is also similar to roman numeral analysis however, the NNS instead uses Arabic numerals to represent each of the scale degrees. The Nashville Number System, (also referred to as NNS) is similar to (movable-do) Solfège, which uses 'Do Re Mi Fa Sol La Ti' to represent the seven scale degrees of the Major scale. We don't get locked into an arrangement that we may feel is not as good as one we can improvise. The beauty of the system is that we don't have to read. It took far less time to jot the chords, and once you had the chart written, it applied to any key. The Nashville numbering system provided us the shorthand that we needed so that we could depend on our ears rather than a written arrangement. It has been around for about four hundred years but sometime during the past fifty years Nashville got the credit. It is an easy tool to use if you understand how music works. The Nashville Number System is a trick that musicians use to figure out chord progressions on the fly. The Nashville Number System was compiled and published in a book by Chas Williams in 1988. It resembles the Roman numeral and figured bass systems traditionally used to transcribe a chord progression since as early as the 1700s. It was developed by Neal Matthews in the late 1950s as a simplified system for The Jordanaires to use in the studio and further developed by Charlie McCoy. The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built.
NASHVILLE NUMBER SYSTEM CHART EXEPALE PDF
Nashville Number System Chart Pdf Download.(Redirected from Nashville number system)